
Kate Gilmore Walk the Walk
About the Exhibition
Like the mazes of office cubicles in so many of the buildings that surround Bryant Park, Walk the Walk comes to life over the course of a working day.
From Monday to Friday, Kate Gilmore’s performance-installation creates a spectacle of color, movement, and sound from 8:30 am to 6:30 pm. Gilmore (b. 1975, Washington, DC) presents a cubic structure, open on all sides, with a flat roof that functions as a podium. Working in shifts, groups of women take to the roof where they perform an improvisational choreography of everyday movement, such as walking, shuffling, and stomping. Neither professional dancers nor theatrical performers, Gilmore’s participants resemble a random sample of female office workers. They vary in age, race, and body type. Free to perform their artist-assigned task as they choose, they must nevertheless conform to a strict uniform of yellow dresses and beige shoes.
Members of the public are invited to observe the piece from the surrounding Fountain Terrace, but also to enter the open structure. The yellow theme of the women’s dresses continues on both the exterior and interior walls of the structure. Once inside, visitors may hear the reverberating sounds of the movement overhead. In this eccentric concerto of irregular footfalls, the physicality of Gilmore’s performance is experienced anew.
Gilmore is best known for her physically demanding performance videos in which she is typically the sole protagonist. Walk the Walk is Gilmore’s first live public project and also her first to deploy other participants. Her interest in striking and often incongruous images continues in this piece, with its unexpected transformation of architecture, figures, actions, and location. In this way, the artist makes us aware of our assumptions about the codes of appropriate behavior and the limits of self expression. How do the attributes of gender, age, and appearance shape our perception of both social roles and personal desires? In Walk the Walk, Gilmore literally and metaphorically turns the inside out, inviting us into a world at once all too familiar and strangely provocative.
Walk the Walk is curated by Nicholas Baume.
Photo Gallery
Major support provided by The Jamison Williams Foundation through the generosity of Billie Tsien and Tod Williams.
Walk the Walk is a project of Public Art Fund’s In the Public Realm, a program started in 1995 to identify and champion innovative public art projects by New York-based emerging artists. In the Public Realm is supported in part by the National Endowment for the Arts; New York State Council on the Arts, a state agency; and the New York City Department of Cultural Affairs.
Public Art Fund gratefully acknowledges the cooperation of Mayor Michael R. Bloomberg; First Deputy Mayor Patricia E. Harris; Parks and Recreation Commissioner Adrian Benepe; and Cultural Affairs Commissioner Kate D. Levin.
This exhibition was made possible with the support of the Bryant Park Corporation, a private not-for-profit company, founded in 1980 to renovate, finance and operate Bryant Park, one of the busiest public spaces in the world, without government or philanthropic funding. In addition to providing security and sanitation services, and tending the lawn and seasonal gardens, BPC creates amenities and activities in Bryant Park for over 5 million visitors each year.





















