Carmen Winant View Profile
Carmen Winant (b. 1983, San Francisco, California) collects photographs from books, magazines, and pamphlets in the archives of women’s health clinics, education centers, and various intentional communities. When accumulated and assembled in large installations by the hundreds or even thousands, these photographs reflect back to us the ways we tell stories; pass down information; and express the value of different bodies, work, and practices through images.
Winant grew up in Philadelphia, and since 2014, has resided in Columbus, Ohio, where she is the Roy Lichtenstein Chair of Studio Art for Ohio State University.
Winant has exhibited her work widely, including in recent solo exhibitions at the Minneapolis Institute of Art, MN (2023); The Dayton Contemporary, Dayton, OH (2023); Gävle Konstcentrum, Gävle, Sweden (2022); and The Print Center, Philadelphia (2022). Her practice has been featured in notable group exhibitions, including the Whitney Biennial 2024, Whitney Museum of American Art, New York City (2024); Her Voice—Echoes of Chantal Akerman, FOMU, Antwerp, Belgium (2023); To Begin Again, ICA Boston, MA (2022-2023); Witch Hunt, Kunsthal Charlottenborg, Copenhagen, Denmark (2021); Being: New Photography, The Museum of Modern Art, New York City (2018); and In Practice, SculptureCenter, Long Island City, NY (2018).
Winant holds an MFA from California College of the Arts, San Francisco; MA in Visual and Critical Studies, California College of the Arts, San Francisco; and BA in Fine Art and Museum Studies, University of California, Los Angeles. Winant was a 2019 Guggenheim Fellow in photography and her work is in the collections of the Museum of Modern Art, New York City; The Museum of Contemporary Art, Los Angeles; Museo Universitario Arte Contemporáneo, Mexico City; The Minneapolis Institute of Art, MN; Museum of Contemporary Photography, Chicago; and KADIST Collection, San Francisco. Winant is a regular contributor to Frieze magazine and is an essential voice in conversations about photography today.
(as of 2025)
